 | | 06/11/2015 21:51
Sur le blog Rosalind Jana
All Things Ophelia
A family friend of ours used to skip school and hightail it from her home in the suburbs to central London. Her destination? The National Portrait Gallery. Or, more specifically, Millais’ portrait of Ophelia. She’d sit there for hours staring at the gown, the flowers, the face we all know to be Elizabeth Siddal’s. This was years ago now. The anecdote has a delightful grandeur to it – a sense of unwavering adolescent purpose. I’ve been thinking a lot about it detail recently. The other day I had something published on Broadly (which I’m thrilled about, as I love their articles!) discussing the cultural...
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